Renée
Zellweger Is As Charming As Ever in Her Signature Role
Mara Reinstein | US Weekly - September 15, 2016
Dear
diary: I was skeptical about the new Bridget Jones movie. The first one
was wonderful but the sequel was dreadful. And that was 12 years ago! I
truly believed author Helen
Fielding should
have just called it a day and enjoyed her royalties. I’m pleased to
report that I was wrong. Bridget
Jones’s Baby,which opens Friday, September 16, is not only like a
hug from an old friend, it’s v. delightful and v. funny. Also, I gained
2 pounds from my popcorn and M&Ms diet at the Toronto International
Film Festival.
The lovably flawed Brit (Renée
Zellweger, as charming as ever) is now a 43-year-old TV news
producer. She’s still single — but this is not the same woman who
feels sorry for herself and keeps “All By Myself” playing on
perma-loop in her flat. Indeed, in the opening credits she hops on her bed
and dances to the ’90s hip-hop jam “Jump Around.”
Nonetheless, she’s been stuck in a major dating rut ever since
she split from Mark Darcy (Colin
Firth) years ago. Her other ex, Daniel Cleaver (Hugh Grant), is out of the picture too. She’s also never looked
better (“I’m down to my goal weight!” she exclaims). She just wants
a good old-fashioned shag.
Guess whose pregnancy test soon ends up positive? So who’s the daddy? The answer to that trite Jerry Springer Show–like plot device doesn’t even matter. Besides, Firth looks like he’s ready to bolt for a pedigreed period drama after the ultrasound. Dempsey essentially does a watered-down version of Dr. McDreamy. Bridget’s most appealing partner in crime is her daffy female on-air anchor, Miranda (Sarah Solemani). After the two learn that Bridget’s hunky one-night stand is an online dating mogul, they conspire to invite Dempsey on air, during which Miranda hilariously grills him live about his sexual prowess and his sperm count.
What’s really important here is that after a prolonged absence, our
heroine remains true to herself. She didn’t turn into a pathetic
middle-aged embarrassment or a lip-curling snob. To paraphrase Mark’s
winsome pickup line, she’s exactly who she is. That means Bridget can
trip headfirst into a mud pit and deliver a eulogy with her
self-deprecating pluck intact.
Cheers to Zellweger, who took a six-year absence from the business
and returns triumphantly in her signature role. I must admit, diary, after
all the photos and reports and columns devoted to her changed physical
features, I felt compelled to take a good hard look at her face. As a
woman close to Bridget’s age, I kind of hated myself for it. What I saw
was a glowing actress who has indeed aged along with everyone else. Maybe
it’s the nature of the part, but the Oscar winner has never looked
happier.
In fact, I’m convinced Zellweger is in on the secret appeal of Bridget
Jones: She may not be a groundbreaking feminist character à la Carrie
Bradshaw. There is, however, something infinitely fantastic about
revisiting a woman trying to figure it all out as two gorgeous men fight
for her affection. Wouldn’t it be nice if we all could fall in love
because of someone’s imperfections and not in spite of them? That has to
be the last word… for now.