Bridget
Jones’s Baby Sky Cinema Review Andy
Psyllides | Sky Cinema – September 2016 Bridget
Jones (Renée Zellweger) is back on the big screen and – as per usual
– trouble isn’t too far away. Despite being 43 and single she refuses
to let life get her down, pushing on with her career as a TV news producer
and partying with younger presenter pal Sarah Solemani. It looks like
things are on the up, but after a pair of one-night stands and the use of
some dodgy, dolphin-friendly condoms she winds up pregnant. Is the father
US dating guru Jack (Patrick Dempsey) or old flame Mark Darcy (Colin
Firth)? Original director Sharon Maguire is back calling the shots, while
top support comes from the likes of Jim Broadbent and Emma Thompson. After
a shaky second outing Bridget Jones is back on form. The ball was dropped
with 2004’s The Edge of Reason, but reuniting star Renée Zellweger with
original director Sharon Maguire seems to have done the trick. The
result is a crowd-pleasing romantic comedy that counteracts predictable
plotting and a baggy final third with a healthy laugh count and a real
sense of warmth. Both
are key to the film’s success – the latter coming to the rescue when
things get a little too cosy and run of the mill. An
early glamping episode featuring eye-rolling slapstick (an overdressed
Bridget meets a muddy bog) and an extended celebrity cameo undeniably
overstays its welcome, but the characters are so likeable and the
chemistry between them so strong that you’re happy to stay the course. When
it comes to comic set-pieces the good also definitely outweighs the bad.
Almost every scene in Bridget’s TV news studio is gold, particularly a
mix-up that sees the excellent Sarah Solemani unwittingly declare her
sympathy for a ruthless dictator because of an unfortunately timed phone
call. Hugh
Grant’s no-showing media playboy is somehow involved, although it
wouldn’t be fair to reveal precisely how. The handling of his absence is
another real highlight. Speaking
of Bridget’s love interests, tried and trusted definitely wins over
flashy and new. Patrick Dempsey (Grey’s Anatomy) does a solid job as an
American prince charming, but with little real meat to the role he’s
comfortably outshined by Colin Firth’s buttoned-up lawyer, Mark Darcy.
As ever, his awkward, uptight ways are a reliable and consistent source of
amusement. As
good as Firth and the rest of the main cast are, nobody can hold a candle
to Emma Thompson. Her weary, seen-it-all doctor is an absolute joy, doing
enough in a handful of appearances to single-handedly justify the film’s
existence. Every
moment she’s on screen counts as a standout, although nothing quite
beats her warning to dads wanting to be in the delivery room: “There’s
not a lot you can gain from being at the coal face gentlemen. My
ex-husband said it was like watching his favourite pub burn down.”
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