The six year itch: why taking a career sabbatical helped Renée Zellweger find her happy
Susan Riley | Stylist - September 7, 2016
©
Brian
Bowen Smith
After a six-year sabbatical, Renée Zellweger is back. Stylist’s Susan Riley talks finding inner peace with the star of
Bridget Jones’s Baby…
She had me at hello. At first it’s because she’s wearing black flip
flops with a quite posh dress and that’s exactly what we all do at the
end of a long day when we can’t be bothered to navigate heels.
Then after a few minutes, it’s because she drops her ring under the sofa
and immediately scrabbles around underneath to retrieve it. “Sorry I
just threw away a car,” she laughs, brilliantly upfront about the fact
her jewellery is on loan and eye-wateringly expensive, before referring to
said ring as “a borrowed bobble that I’m not treating very well.”
There’s other things – she says ‘Marble Arch’ in a Downton
Abbey way when I ask
what phrase helps her slip into a believable English accent; teases me
about fancying Patrick ‘McDreamy’ Dempsey (read on – it was clearly
all a misunderstanding…); and tries out three different locations around
the building to capture some half-decent light for our selfie. But
that’s by the by. Like I said, she had me at hello.
She being, obviously,
Renée Zellweger. Depicter of Dorothy Boyd, Betty Sizemore, Roxie Hart,
Ruby Thewes, Mae Braddock and, most famously, Bridget Jones – who, as
everyone knows by now, is back and having a baby.
Such happy news is why I’m at Universal Studios’ Lower Lot on a piping
hot July day in Los Angeles. It’s nearing 5pm. Colin Firth has just
passed on his way out, all done for the day; Patrick Dempsey pops his head
round the door to ask Zellweger how it’s all going. The pair – whom
Zellweger refers to as ‘the fellas’ – are the pedigree of love
interests. And as Mark Darcy and Jack Qwant in Bridget
Jones’s Baby, Bridget has the not-so-crap task of choosing which
one’s the baby daddy. That’s right: you are about to actively desire
Bridget Jones’s life.
If that sounds like uncharted territory for Bridget, it’s worth noting
times have changed too for Zellweger. This movie – while her third as Ms
Jones – marks the end of her six-year career break from Hollywood.
She’s done all manner of things in that time: moved house, travelled,
found love, returned to university, and a hundred other things she’s
(wisely) determined to keep for herself.
It takes guts to step out when you’re at the top but Zellweger – who
describes herself as ‘curious’ – simply refused to let her work
define her and went in search of what else was out there. It’s modern
day heroine behaviour in my book; just don’t tell Bridget.
© Brian
Bowen Smith
It’s
20 years since Helen Fielding wrote Bridget
Jones’s Diary, and 15 years since the first film. Why does Bridget
still resonate in 2016?
Oh wow, it’s hard to imagine that’s true but it is… I’m
doing the math. I think it’s really interesting that there’s a
character who appealed to people at one particular moment in time; when
Helen was tapping into an important conversation in the zeitgeist about
women, and the societal paradigms about what they’re expected to achieve
by a certain time in their lives. And now, I’m so glad that [Fielding]
is still telling stories through this character that women relate to –
as they move on, and as Bridget moves on. Her authenticity is something I
find so appealing. [As is] her humanity, her imperfection… She makes
being human OK.
This film isn’t the adaptation of Mad
About The Boy [Fielding’s
last book] and Bridget gets her happy ending. Do you think that will
surprise people?
I don’t know because I don’t know how widely known it is that
this is a script Helen wrote before she embarked on the third book. [But]
I think people are happy to see when Bridget triumphs, because they go on
the struggle with her.
Are we all – regardless of ambition or independence – harbouring a
desire for a happy ever after?
Well, love in whatever form that we define it for ourselves,
probably. Partnership, companionship… Maybe. It depends on the person.
It’s very difficult to make a blanket [statement] about women who are
independent but still crave companionship or a partner or their dream
person to share their lives with, because it’s circumstantial.
We’re yet to have an equal conversation about men and their happy ever
after. Why do you think that is?
There has never been a stereotype about males craving marriage
and companionship and love. In society it’s never been considered a
negative for a man to choose to live his life on his own; he is not a
failure if he hasn’t chosen to have children, or to settle down or found
a mate.
It’s not even a topic is it?
It hasn’t been. That’s his prerogative. Throughout history,
that’s been his prerogative. And so now that women are challenging that
stereotype for the pejorative nature of it and people are breaking away
from, or are saying no to the projected expectations that society has
traditionally held for women – in paving their own paths with more
frequency – the conversation is, “Oh of course”. It’s just sad
we’re still talking about it in 2016.
In the beginning, Bridget could be viewed as desperate; now she has
McDreamy and Darcy fighting over her. She’s having a good film in that
respect, no?
That’s very funny. This is a very good film for her [laughing].
In that first incarnation you’re talking about, it’s her inner
dialogue – she’s sharing her most private, intimate thoughts, [which]
is where people bonded with her; her insecurities were relatable. To some
degree everybody knows those experiences. Whether it’s failure in love
or in your professional aspirations or great public humiliation…
whatever it might be. And she’s grown. I’m glad she’s moved on from
the naivety and the innocence that came with those years, and asking those
questions and having those feelings. It would be untrue if she didn’t
change in some respects. That was part of the challenge of this next
chapter: to find the ways in which she has evolved and how to animate
those qualities – and more importantly figure out how she hasn’t
evolved, because those things are equally true for anybody in life
experience.
Patrick Dempsey plays Jack. Were you a fan of Grey’s
Anatomy? Did you watch it?
I didn’t, no. When it started I was really busy so I didn’t
catch onto the thing, you know? But you watched…
From the beginning, yes… I don’t need the box set!
Right, so see I intend to do that – so no spoiler, no spoiler!
But you were crazy about him?
Well not particularly him, but the show, yes. I was going to ask if
you’d watched Derek Shepherd’s death scene but obviously not…
No.
Oh god, I’ve just said a massive spoiler!
It’s OK! I don’t know who that is; I don’t know who that is
[laughing].
Thank you, because I’ve just completely ruined…
No you haven’t, it’s OK because I don’t know who you are
talking about. That will just be gone from my mind…
OK, so Der... I mean Jack. I keep calling him Derek…
That is fantastic! OK we’ll practise. Are you going to meet
him? Have you met him?
Er no.
Are you going to? No? Did you see him walking by before? Did you
say hello?
No. I mean I’m not obsessed or anything, he’s just Derek to me…
Anyway, JACK. In the film Jack’s an online dating entrepreneur who talks
about algorithms finding your perfect match. As the internet becomes more
personalised, do you think it’s narrowing our choices and viewpoints, as
opposed to widening them?
Interesting… I’ve never thought about it that way.
Especially in terms of how we access news through social media feeds,
which are now tailored to us…
Well I don’t use social media. I mean I appreciate it and how
it’s beneficial for people’s ability to connect; for political
purposes so people don’t feel isolated… [But] it’s dangerous, a
little bit, because of what you’re talking about [and] I know it has
made the line between truth and speculation ambiguous. Whatever gets put
out there is perpetuated so quickly that in an instant it becomes the
truth; legitimate news sources pick up the titbit and it becomes part of
the conversation among respected periodicals.
Which sources do you value for information?
I read the Washington
Journal and The
New York Times and I
watch CNN, NSNBC, Al Jazeera, BBC World News, Fox News and Sky News,
because I want to know what other people are thinking – I don’t want
to just know what I think already. How are you supposed to understand the
other side of the argument if you’re not privy to it?
Britain’s had a turbulent few months. From the outside, what do people
think of us right now?
Well it’s not like gun violence. I think it’s a little more
difficult to understand; there’s a curiosity but I don’t think there
is a complete understanding of what Brexit means over here and what it
will mean to your economy, or for people who want to work in Europe.
How would Bridget have voted in Brexit?
I can’t comment [laughing]. I can’t. You’d have to ask
Helen Fielding that question, right? Maybe she’ll have something to say
in the future.
With your parents’ heritage [Zellweger’s mother is from Norway, her
dad from Switzerland], do you ever feel European yourself?
I was always aware that I had a different perspective because of
them, yeah. It’s very different as you grow up in a house with different
sensibilities.
What are your experiences of their home countries? Do you keep any
traditions?
Oh sure yeah, we do, but I didn’t spend a lot of time in
Switzerland because my father moved from there when he was a boy to
Australia and his family is there. We have some family still in
Switzerland; the first time I went was to Cloisters [when I] took the
train from Zurich in 1999. It’s so beautiful.
Where’s the most culturally enchanting place you’ve visited?
I’ve only been to Morocco for a moment but that was fascinating
and the people were so warm, but I could say the same about Japan – or
Liberia. I went there with Mariella Frostrup [and The Great Initiative, a
a gender equality charity]. It was remarkable. To be in this place
that’s still recovering from civil war and to see all the great strides
that have been made in such a short period of time… The women are so
impressive; so self-assured and so certain of their intentions and values.
The way they utilise their power [to] influence change was so admirable.
And they adorn themselves immaculately, which I thought, ‘Wow, that’s
interesting,’ because it’s recognising and embracing another side of
female power.
Last night was historic for America [Hillary Clinton was confirmed as the
official Democratic Party nominee]. Do you feel excited and energised by
that?
It made me teary, yeah. We were here when they finished counting
the votes and made the announcement, and we were recording the television
footage with our phones – to remember where we were and to mark the
moment. It’s extraordinarily moving to see women [achieve that].
Michelle Obama’s speech [at the Democratic convention] was also
immensely powerful. And her Carpool Karaoke killed it. Is that big here?
My girlfriend who lives in Brighton introduced it to me! Can you
binge Carpool Karaoke? Because that’s what we did. One Sunday morning,
we just sat there and went through all of them. Fan. Tastic. It’s so
joyful.
What’s your favourite one? I got a bit obsessed with the Bieber.
It was great! Wasn’t it great?
You saw a different side to him.
Yeah. Vulnerable and sweet, right? I know, that was delightful. I
got teary on Stevie Wonder, I love Stevie Wonder. And I loved [James
Corden] singing with Adele because he was so good [laughing]. Adele was
like, “Oh!” I haven’t seen Michelle Obama but I am determined to
google that. I have to say, my girlfriends and I have had this
conversation – Michelle Obama and her husband have made us proud to be
Americans these last eight years. Such elegance and grace, and
intelligence. It’s made me proud.
They’re the full package, aren’t they?
Completely. It’s been so nice to have a young family in the
White House again; to watch their kids grow up. And to have a couple who
are so deeply in love has been gorgeous. Did you see President Obama
tweeted, “I love you, Michelle” after her speech? What an elegant man,
and couple.
You recently took a six-year break. What was the deciding moment?
I can’t say it was any one thing but I was just recognising
that there were so many other things I wanted to explore; promises I’d
made to myself I wanted to keep, and things I was interested in that I
wanted to discover whether or not I had aptitude for. And it was time.
Because you could very easily keep going with whatever it is that has your
full attention, and then five years pass and then 10… And then it never
comes.
How easy was it to relax after being so busy and career-focused?
It was more of a process than, “Right, starting tomorrow…”
[It wasn’t] like camp, you know? [Laughs] It was deciding not to do the
next picture… and then life fills in the blanks. Oh, dad’s having
surgery – I’m going to go do that. Oh, my best friend’s having a
baby – I’m going there.
So a seeing where the wind takes you type of thing?
It wasn’t so much that because that sounds like a holiday
[laughs], but there were new commitments that I wanted to make. Like move
to Los Angeles [Zellweger previously lived on the East coast] to be near
my writing partner because I wanted to create this new television show
that I believed in and wanted to see happen. I knew it would be a more
rewarding process if I was in the room watching this piece that I had
imagined since college come to life. Those kinds of commitments took a
different kind of discipline and it gave me a new understanding of this
business that I have been working in for so many years; a more
comprehensive understanding.
Years ago, you spoke in an interview about a list of things you wanted to
achieve: “To study American history and political science, live in an
apartment in France and fix my bad French”. Did you tick off any of
those things?
I did [laughing]. I did.
Which one?
Well I didn’t live in an apartment in Paris so…
So you studied! How different was it [Zellweger graduated in English at
the University of Texas at Austin]; did you gain a fresh appreciation?
It’s not perfunctory. I know it’s not the end of the world if
you don’t ace the test – and so you are probably more inclined to ace
the test because you’re motivated by interest, rather than obligation.
And oh, I loved it. There’s a different kind of joy in the learning; it
isn’t so you can get on to the next thing; it’s so you can understand.
You’ve said you saw the break as an opportunity to grow up; do you feel
more grown up now?
I have new perspective. I’ve learned a lot and I don’t mean
that in an existential way; I’ve made an effort to learn things, and so
I’ve matured in different ways.
Do you think our careers are starting to define us too much?
I don’t know, maybe. I mean in my personal experience, yes, but
again it depends on the individual and the choices that they make for
themselves; what they prioritise and how good they are at balancing.
While you were away, were there any films you would have loved to have
been involved in?
No, but there have been tons that I admire, like Amy Schumer’s Trainwreck made
me laugh. She was brilliant, I didn’t know she was a phenomenal actress
– and she is. And brave. I admire her.
How will you navigate your working life now you’re back? Have you set
new boundaries?
Yes. I just have a better understanding of how to make it work
for myself, so that it’s a little more balanced and healthier. I don’t
know what that entails but I am taking my time, and I’m just being
careful.
Colin Firth recently said you never seem to have a bad day.
That’s sweet.
Are you aware that you possess that skill?
No, because I guess I’m there for the bad days. I don’t know
– I don’t think anybody should ever have to pay because you have a bad
day. So yeah, I don’t like it to be anybody else’s business if I’m
having a bad day.
Why do you think all Texans have an intrinsic charm? [Zellweger was born
in Katy, Texas]
That’s really flattering and very kind. I like Texans. I mean
it’s a truth, it is. You come to the state and people are warm and
helpful and will talk to you – you know you’re not getting any person
ignoring you on the sidewalk. I don’t know; what is that? I’m glad of
it.
Where do you call home?
I probably feel most at home in Texas. For all the reasons
you’ve mentioned.
As a tourist in Texas, where should I go that the guide books won’t tell
me?
Big Bend Park is spectacular, as is driving up the panhandle [the
northwest corner of Texas] in winter. What else? I would have said Marfa,
Texas, where they shot Giant,
10 years ago, but I think it’s on the map now. It’s a little quiet
artist’s colony that has kind of blossomed. Brenham, Texas for their
Blue Bell Ice Cream – vanilla is my particular favourite. The south is
magic. I like to go down to Laredo on the border, or Brownsville and walk
across into Mexico.
Bridget Jones is a literary heroine for many. Which characters have stayed
with you?
I have a million favourites but I love Ignatius Reilly from A
Confederacy Of Dunces and
John Grady Cole, from All
The Pretty Horses by
Cormac McCarthy.
Why have you picked those?
The humour of one. [Reilly’s] a bit of a Bridget Jones with his
ailments and imperfections; he’s kind of self-deprecating and tries
really hard but can’t always get it right and is a little bit awkward in
his skin. I love, love, love him. And I’m not sure why John Grady Cole.
I loved his sense of identity and his fearlessness.
As an avid reader, what novel should Stylist readers
consume next?
I just recently reread Sammy’s
Hill by Kristin Gore.
It’s delightful. That is a movie I want to see, and a wonderful role for
a young woman.
On that point, more and more actresses – such as Reese Witherspoon –
are producing the types of films they want to see made. Is that a
particular focus for you now?
Yes it is, right now, yes.
Will you say what you’d be interested in making?
No, I don’t… Not to be cryptic, only because I think it’s
boring when people talk about what they might do. It’s much more
interesting if they just do it.
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