Bridget
Jones’s Baby Entertainment Weekly Review
Kevin P. Sullivan | Entertainment Weekly – September
5, 2016
Hollywood’s sequel
industrial complex means we’re never truly finished with beloved
characters, and 12 years after journeying to The
Edge of Reason, it’s Bridget Jones’ turn yet again. The
third film based on Helen Fielding’s lovably downtrodden heroine, Bridget
Jones’s Baby diverges
from the source material, choosing to tell an original story of the
character’s entry into motherhood rather than adapting Bridget
Jones: Mad About the Boy, the series’ third book which notoriously
killed off the perfect guy/straitlaced lawyer Mark Darcy.
When the film begins, Bridget (Renée Zellweger) and Mark (Colin Firth)
have been separated for years – for all the normal reasons people split
– and Hugh Grant’s Daniel Cleaver is no longer in the picture. (The
explanation almost makes up for his absense.) Suffice it to say that
Bridget has once again found herself under her own personal raincloud and
is ready for a new chapter in her life/love triangle.
Enter Jack Qwant, the improbably named, improbably nice, and improbably
well-aged dating-site mogul played by Patrick Dempsey. After Bridget –
of course – takes a tumble into a mud pit at a too-hip music festival
– Jack comes to her rescue, leading to a romantic encounter back in his
tent.
Re-enter Mark Darcy, the possible love of Bridget’s life who got away.
Seeing Zellweger and Firth, two veterans with storied careers back
together after all of these years is a surprisingly touching image. The
feeling of knowing them so well, both in and out of the series, gives Bridget
Jones’s Baby an
extra emotional wallop that’s a little unexpected. After some catching
up at a christening in the country, Bridget and Mark rekindle things, and
wouldn’t you know it – Bridget’s love life might not be so dead
after all.
The rub here are the rubbers. Bridget’s go-to brand of protection
expired while Tony Blair still lived at 10 Downing Street. A few weeks
following her dual trysts, Bridget has a positive reading from a pregnancy
test and not a clue about whether it’s Jack or Mark who’s responsible.
What follows is both surprisingly sweet and sweetly surprising, especially
coming from the moralistically narrow world of romantic comedies. Both
Jack and Mark want to be the father, and neither is angry with Bridget
about the predicament. The conflict once again becomes an internal
struggle for Bridget and what she wants, except this time, both options
are actually pretty great, making the dilemma even more difficult to
parse.
The proceedings may be typical for Bridget and the series, but it’s all
played so earnestly that it’s difficult to hold a grudge. Back in
supporting roles – and as good as ever – are Shirley Henderson, Sally
Phillips, and James Callis, as Bridget’s trio of buddies, and Sarah
Solemani (The Wrong Mans) is an
excellent addition as Bridget’s newscaster friend. But outshining them
all is Emma Thompson, who plays a good-humored OB/GYN – in addition
to a screenwriting credit along with Fielding and Dan Mazer (Da
Ali G Show).
The script contains some genuinely uproarious laughs and is sharper than
it needs to be, even if some of the jokes feel as old as Bridget’s
condoms. (Admittedly, the conversation about “Gangnam Style” does end
in a genuinely funny place.) But Bridget
Jones’s Baby is a
welcome return for the character and a more fitting ending than Edge
of Reason… for now at least. In another 12 years, who knows? B+