Helen
Fielding On Bridget Jones:
Still
Looking Good At 51
Rachel Martin
| NPR
- October
20,
2013
Who could forget that slightly manic — but ever
so endearing — single gal looking for love in London: Bridget Jones.
From her first diary entries in 1996, to her portrayal on the big screen
in 2001, to her most recent ramblings in this year’s Mad About the
Boy, we’ve gotten to go inside the mind of Bridget Jones and see the
truth, the whole truth about what it’s like to be a woman most
definitely now not in her 30s.
The woman behind the diaries, Helen Fielding, tells NPR’s Rachel
Martin that Bridget now appears — at least on the outside — to have
grown up a bit. And yes, as you’ve probably heard by now, her dashing
Mr. Darcy is no longer. “I was quite surprised by the scale of the
reaction, certainly in Britain, to Mark Darcy’s death,” Fielding
says. “I was watching the news one night, BBC, and there’s the
Syrian crisis, and then, next story was headline news: Mark Darcy’s
dead!”
Interview Highlights
On writing about a situation many people find themselves in
They are single again, and they are a bit older, and the dating
landscape has completely changed, and they have to get out there again.
And when Bridget was single before, there was no email, even — all
those messages she sent to Daniel in the office about ‘you appear to
have forgotten your skirt,’ and things, were just an archaic office
messaging system. So Bridget’s now back out there dating, dealing with
texting, with Twitter, with online dating, and with children — and
with the fact that, you know, life is busy and complicated, and you’re
juggling work and all these other things, and that seemed to me to be a
very rich area to write about.
On Bridget’s age
The first novel, I didn’t say how old she was, I left it vague. And I
was going to do that this time, and then I thought, I’m just going to
dare to do it. I’m going to say that she’s in her 50s. Because I
think that just as when I wrote the first Bridget, the 30-something
spinster, as she was then called, got such a bad press, that hadn’t
caught up with what was really going on. You know, Bridget felt in some
part of her brain that she was Miss Havisham, and she was going to end
up dying alone and being eaten by a dog, just because she hadn’t got a
boyfriend when she was in her 30s.
And I think there’s the same sort of thing going on with idea of the
woman in her 50s, that she should somehow be staring morbidly at a lake,
or knitting, and have a tight grey perm and a shopping trolley. Whereas
in fact, what I see around me is it’s the same — women are still
looking good, still dating if they’re single, still feel the same
inside ... there shouldn’t be this outdated notion of ‘a woman of a
certain age,’ which in itself is a patronizing thing to say, and never
applied to men.
On whether there will be more Bridget
All I do know is, I won’t write another book unless I’ve got
something I really want to say. I mean, I do think one thing that could
be quite funny — but it wouldn’t really work — to write about
someone becoming a celebrity would be funny, because there’s so many
things, even when you’re on a book tour — I remember when the first
Bridget Jones book became successful, coming back to my flat in London,
and there was a photographer on a motorbike outside. And I was wildly
indignant, and why can’t they leave me alone! It’s intolerable! But
then it was a pizza. Domino’s delivery man. And I was really
disappointed ... that’s quite a rich seam, too. But I don’t think
it’s right for Bridget. Maybe.
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Transcript
RACHEL MARTIN, HOST:
Who could forget the slightly the slightly manic but ever-so endearing,
single gal in London looking for love, Bridget Jones. From her first
diary entries in 1996 to her portrayal on the big screen in 2001 to her
most recent ramblings in this year’s “Mad About the Boy,” we’ve
gotten to go inside the mind of Bridget Jones and see the truth, the
whole truth about what it’s like to be a woman most definitely not in
her 20s.
The woman behind the diaries, Helen Fielding, joins us from our studios
in New York to talk about this latest installment in Bridget’s life.
Helen, thank you so much for talking to us.
HELEN FIELDING: Oh, it’s a pleasure.
MARTIN: So Bridget is all grown up now. Really grown up.
FIELDING: On the outside she is, yes.
(LAUGHTER)
MARTIN: She is raising kids.
FIELDING: Mm-hmm.
MARTIN: This is a little bit of a spoiler alert. But in the first few
pages its devastating news. But we find out that Mr. Darcy is no longer.
He has passed.
FIELDING: That’s right. I was quite surprised by the scale of the
reaction, certainly in Britain, to Mark Darcy’s death. I was watching
the news one night, BBC, and there was the Syrian crisis. And then, next
story was headline news: Mark Darcy Is Dead.
(LAUGHTER)
MARTIN: Perhaps not on the same scale.
(LAUGHTER)
FIELDING: Well, yeah. No one has actually died. But it was quite
touching that I think that people care about Mark Darcy so much. But
what I wanted to write about was a situation that many women find
themselves, and many people find themselves in, that they single again
and they are a bit older, and the dating landscape has completely
changed, and they have to get out there again. And when Bridget was
single before, there was no email, even. All those messages she sent to
Daniel in the office about - you appear to have forgotten your skirt,
and things, were just an archaic office messaging system.
So Bridget is now back out there dating, dealing with texting, with
Twitter, with online dating, and with children. And with the fact that,
you know, life is busy and complicated, and you’re juggling work and
all these other things, and that seemed to me to be a very rich area to
write about.
MARTIN: So we should say she’s in her 50s, right, at this point?
FIELDING: Yeah. Do you know, the first novel, I didn’t say how old she
was, I left it vague. And I was going to do that this time, and then I
thought, I’m just going to dare to do it. I’m going to say that
she’s in her 50s. Because I think that just as when I wrote the first
Bridget, the 30-something spinster, as she was then called, got such a
bad press that hadn’t caught up with what was really going on.
You know, Bridget felt in some part of her brain that she was Miss
Havisham, and she was going to end up dying alone and being eaten by a
dog, just because she hadn’t got a boyfriend when she was in her 30s.
(LAUGHTER)
FIELDING: And I think there’s the same sort of thing going on with
idea of the woman in her 50s, that she should somehow be staring
morbidly at a lake, or knitting, and have a tight grey perm and a
shopping trolley. Whereas in fact, what I see around me is it’s the
same. Women are still looking good, still dating if they’re single,
still feel the same inside, still feel they can wear the same clothes.
And there shouldn’t be this outdated notion of a woman of a certain
age, which in itself is a rather patronizing thing to say and never
applied to men.
MARTIN: So Bridget discovered Twitter and this really turns out to
really be her medium.
FIELDING: Well, it’s a natural for Bridget really, because it feeds,
number one, her neurosis. Because she discovers that Twitter is, to a
degree, a giant popularity contest. So there always will be people,
they’re a lot more followers than you. And, of course, and she
didn’t understand it to start with, then she doesn’t realize how to
put a photo up so she just has the egg thing...
(LAUGHTER)
MARTIN: She’s very put out she get more followers.
FIELDING: Yeah, she spent days going, number of followers, naught. Maybe
tomorrow I’ll have gone viral.
(LAUGHTER)
FIELDING: Still no followers, and then she gets drunk and tweets. And
then she tried online dating. And then she gets sad. When she’s online
shopping and she put the address in her basket, and that it doesn’t
wink back at her.
(LAUGHTER)
MARTIN: So, did you miss her? I mean, you’ve taken some time away from
her.
FIELDING: Hmm. Well, it was a conscious decision that there was a lot of
pressure to write another one. And I’m really fond of Bridget. I think
it’s sort of about the gap between how you feel we were expected to be
and how you actually are. And I guess with this book, the gap between
how you feel how your life should turn out that how it actually does.
And so I didn’t want to just churn out more and more diluted versions
of the same thing. I wanted to write - if I was going to write a
“Bridget” book I wanted to write a novel, but was a slice of life as
I saw it, and was full of funny things that I would see happening around
me. So I waited until it just came quite naturally, really.
MARTIN: Helen Fielding, her new book is called “Mad About the Boy.”
She talked to us from our studios in New York. Thank you so much for
talking with us, Helen.
FIELDING: Thank you, it was fun.
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